Filmmaking
I started my career as a photographer during my junior year of high school in 2013. I had no formal education in photography and film making. As a matter of fact, I studied Aeronautical Science, a fancy way of saying flying airplanes. Little did I know that a single google search that made me fall in love with photography, and editing video games footage, would not only help me create a business that made me happy, but also change I approached my many other passions in life.
SIDNEY BAKER-GREEN
INTERNATIONAL PHOTOGRAPHER, CINEMATOGRAPHER, colorist, and content creator
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Filmmaking
The filmmaking industry is often divided into teams—Team Canon, Team Sony, Team Nikon, Team Windows, Team Apple, Team Premiere Pro, Team Final Cut Pro, and Team Da Vinci Resolve. Each of these has its strengths and dedicated followers. Today, we’re shifting gears from our usual Da Vinci Resolve content to focus on Premiere Pro, specifically […]
Understanding and Avoiding Blue Channel Clipping in Nikon RAW Footage with DaVinci Resolve When working with Nikon RAW footage in DaVinci Resolve, one issue that can arise is blue channel clipping. This problem, while often overlooked, can significantly impact the quality of your final output, especially when dealing with footage that includes intense blue lighting […]
The Current Drama In The YouTube Camera Community Honestly, I was living under a rock the past couple of days and had no idea that all of this camera review drama was going down over the Panasonic Lumix S9. However, if I am being honest, I can’t really say I am surprised. There has been […]
LG C1 OLED Review: Is it Worth the Investment for Color Grading and More? If you’re looking for a TV that can handle color grading, gaming, and content consumption, the LG C1 OLED TV is a great option. As a cinematographer and colorist, I purchased the C1 specifically for color grading work, but have been […]
The History of ProRes Raw & DaVinci Resolve In 2018, Apple introduced ProRes Raw to to the market. Apple designed ProRes Raw as a raw option that encompasses the flexibility of raw and the performance of ProRes. Since then, every major NLE has offered support for the raw codec; however, the most widley available color […]
